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Charles Goddard Weld
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Charles Goddard Weld : ウィキペディア英語版
Charles Goddard Weld
Charles Goddard Weld (1857–1911), was a Boston-area physician, sailor, philanthropist, and art lover. Weld, a resident of Brookline, Massachusetts and a scion of the Welds of that area, practiced surgery for many years, but ultimately gave it up to manage his family's fortune. He made major contributions to two museums in Greater Boston:
==Museum of Fine Arts Contributions==

Weld is well known for his purchase and donation of the collection of Ernest Fenollosa for the Museum of Fine Arts, Boston. The museum is now home to one of the finest and largest collections of Japanese art outside Japan, numbering over 100,000 objects.〔(Museum of Fine Arts, Boston: Japanese Art )〕
In 1886, Weld attempted to sail around the world in his personal yacht. However, while moored in Yokohama, the yacht caught fire and was destroyed. As a result, Weld spent an extended amount of time with his Bostonian friends William Sturgis Bigelow and Ernest Fenollosa. The pair had already been in Japan for some time themselves, exploring the country and collecting art.
The Fenollosa-Weld Collection contains many of the most famous pieces in the Museum of Fine Arts' collection. Among them is a handscroll painting (''emaki'') depicting the 1159 Night Attack on the Sanjō Palace. Others are famous pieces by Sesshū, Kanō Eitoku, and Kanō Hōgai.
While Fenollosa and Bigelow developed very widespread and inclusive tastes in art during their time in Japan, Weld's interests remained somewhat narrowly focused. His primary interests in life were sport, boating, and martial activities such as archery. As a result, he became one of the first Americans to collect Japanese swords, spears, and other martial implements as art. In addition to full swords, Weld purchased many sword ornaments, handguards (''tsuba''), and other sword fittings such as ''kozuka'', tiny blades tied to a swordhilt and used by the samurai for basic utilitarian tasks.
In 1911, the collections of Ernest Fenollosa and Charles G. Weld, much of it already physically in the Museum of Fine Arts, on loan indefinitely, became the property of the Museum, as the Fenollosa-Weld Collection.

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